Eric Henderson joined the WCCO.COM web team in June 2006 and currently serves as WCCO’s web content manager. As a member of the web team, he has won three Emmy Awards as well as an Edward R. Murrow Award.
A card-carrying cinephile (that’s snob-speak for movie buff), he has been writing about movies since he was a high school student in Burnsville, Minn. He still remembers the flack he got from his peers for writing a negative review of Tommy Boy.
He continued writing about movies while enrolled at Concordia College in Moorhead. He was also the arts and entertainment editor for The Concordian newspaper and station manager of KORD-FM, where he would also spin old school jams on his weekly radio show.
Upon graduation, he began writing reviews for both City Pages and Slant Magazine. His articles on director Brian De Palma were mentioned in the New York Times.
Eric currently writes film reviews, top 10 lists and more at his movie blog.
In his spare time, Eric enjoys playing piano and climbing rocks … predominately indoors, but that may change any summer now.
When I say that “The LEGO Movie” is more subversive than anything Jean-Luc Godard put out after the mid-’60s, it’s because for there to be a subversion, you first have to ambush a group of people that weren’t planning on having their worldview altered.
Nope. Still haven’t caught Ride Along. Apparently that’s almost everyone in America wants to see. But if you’re reading this column, I know you’re not “almost everyone in America.” This week has a full slate of classic cinema, enough to keep any film fan more than busy.
For the last few years, I’ve pointed out that winning your Oscar pool in some ways depends on being smart about your selections in the short film categories. That everyone usually has a pretty solid idea of what’s going to win in the major races is mostly a given. Down ballot? A whole ‘nother ball game.
“Labor Day,” the new film from Jason Reitman and starring Kate Winslet and Josh Brolin, doesn’t reward cynics. In fact, it punishes them with doses of crusty homemade peach pie and baseball lessons from rough-hewn surrogate fatherhood.
I have to admit that I have not yet seen the movie that just topped the box office charts for the last two weeks running and is well on its way to being 2013’s first $100 million club honoree. Maybe I’ll redress that in the next week, maybe I’ll instead opt for the cold-weather comfort of awesome repertory and specialized programming.
There’s but one new wide release this weekend — the dank graphic novel version of “I, Frankenstein” starring a torqued Aaron Eckhart — and it’s not even screening for critics because, why bother? We’re knee-deep in the doldroms of the dump months of winter. What’s a “dump month,” you ask?
The Oscar nominations are out, and basically everything on the shortlist this year is in theaters for those who missed them up until this point. And there’s plenty of great new documentaries to catch on Netflix. If you’re all caught up, though, there are plenty of other options to keep you busy on this cold week.
The critics have spoken. The Golden Globes have been handed out. And the Oscar ballots have been in for a week now. The Academy Awards are unquestionably the Super Bowl of the entertainment world. Here are the people and films I expect to be nominated this year.
It’s never fun for critics to receive fresh and incontrovertible evidence of just how little their tastes matter, but this weekend was particularly rough. To see “Her” and “Inside Llewyn Davis” get unceremoniously pushed aside in favor of the noxious, bloodthirsty “Lone Survivor” is to know what it felt like for Carrie the moment she was doused in pig’s blood.
It’s a big weekend for 2013’s leftovers to reach flyover land, with no less than four Oscar hopefuls making their way into Twin Cities theaters. Here are brief reviews of “Her,” “August: Osage County,” “The Past” and “Lone Survivor.”
For about eight or nine weeks in a row during the dog days of summer, I’ll find myself typically opening this weekly rundown the with the exact same cliche, Groundhog Day-style: “The weather is hot, [...]
It’s been a fantastic year, and there’s a lot of new films out there to catch. But if your New Year’s resolution is, like mine unto perpetuity, to see a bunch of older and/or more obscure movies, here are your best bets for the forthcoming week.
The last of the must-see movies I’m a tad ambivalent about myself — The Wolf of Wall Street — roars into theaters this Christmas. But many better bets await you in limited release and retrospective screenings, especially if you’re looking to get into the holiday spirit.
Santa arrived early for film fans. No fewer than four big titles arrive in theaters this weekend in the Twin Cities (five if you’d rather go Walking with Dinosaurs), and each one of them probably counts as a “must see” in their own way. Here are brief reviews of all four.
Because studios apparently think that Oscar voters have the shortest of short-term memories, this week and next will see the release of literally dozens of movies that qualify as “must-sees” … or at the very least a dozen. This Friday, the Twin Cities gets three movies that are all in the conversation for best picture nominations.