Eric Henderson joined the WCCO.COM web team in June 2006 and currently serves as WCCO’s web content manager. As a member of the web team, he has won three Emmy Awards as well as an Edward R. Murrow Award.
A card-carrying cinephile (that’s snob-speak for movie buff), he has been writing about movies since he was a high school student in Burnsville, Minn. He still remembers the flack he got from his peers for writing a negative review of Tommy Boy.
He continued writing about movies while enrolled at Concordia College in Moorhead. He was also the arts and entertainment editor for The Concordian newspaper and station manager of KORD-FM, where he would also spin old school jams on his weekly radio show.
Upon graduation, he began writing reviews for both City Pages and Slant Magazine. His articles on director Brian De Palma were mentioned in the New York Times.
Eric currently writes film reviews, top 10 lists and more at his movie blog.
In his spare time, Eric enjoys playing piano and climbing rocks … predominately indoors, but that may change any summer now.
I never understand why some people object to movies wherein the surface is the primary element and the rest is not necessarily subjugated but at least is entirely informed by that element. But there is admittedly something to be said for discipline.
This week’s collection of movie best bets is a bit hastier than normal because, duh, you should be first and foremost checking out our daily selections from the Minneapolis-St. Paul International Film Festival. Just as the weather’s heating up, so are the number of movies enticing you to stay indoors.
It’s a little difficult to recommend today’s selection if you aren’t already familiar with the films of South Korean master Hong Sang-soo. Like many auteurists’ pet faves, he tends to allow elements and themes to flow freely between his films, and the result is a body of work that’s greater than the sum of its parts.
I know it’s perpetually bad form to criticize the critics when it comes to covering festival movies, but sometimes it’s inevitable when it feels like critics are the only ones talking about a given film. But to hear people accuse “Closed Curtain” of being self-pitying, well, cry me a river.
While at this time last year, very few people had likely heard the name Solomon Northup (the victimized protagonist of the Oscar-winning 12 Years a Slave), it’s a safe bet far fewer still had ever heard of Dido Elizabeth Belle Lindsay.
With both a rude jolt and a surge of excitement, film fans in the Twin Cities find themselves on the cusp of this year’s Minneapolis-St. Paul International Film Festival, which opens on Thursday with a screening of Belle and continues for 17 days with more than 200 features.
In a few weeks, the MSPIFF starts up and everything else goes out the window. So if you’re looking to wrap up some loose ends — like, say, Nymphomaniac, Vol. 1 — do so as soon as possible.
Veronica Roth, the author of the book series, was in the Twin Cities a few weeks back to promote the film’s release along with actor Ansel Elgort, who plays the brother of the film’s chief protagonist. WCCO had the chance to ask them to both sort themselves, and here’s what they told us.
This just in! The Film Society of Minneapolis-St. Paul just announced that the opening night selection for this year’s MSPIFF will be British director Amma Asante’s Belle, a period piece about Dido Elizabeth Belle and […]
One of the things Wes Anderson fans tend to love is his ability to tell stories that exist outside of the standard hero-villain binaries. He’s more interested in the flaws that draw his characters away from both poles.
Fests are still playing out. Fantastic new works of art are still in theaters. (If you haven’t caught “Stranger by the Lake” yet and you’re open-minded, clear a spot on your calendar.) And the screenings just keep coming! It’s enough to make your head spin.
It wasn’t necessarily supposed to take 20 years for Ron Minkoff to make his return to fully animated feature films following “The Lion King.” But such are the realities of getting an animated project off the ground that he actually managed to get five other features through the pipeline in the interim.
The words that I wrote last year still ring true, and thankfully earlier than usual this year: “There are few things sweeter than the sight of grass peeking through the snow after a long, hard winter season. But the opportunity to see new movies from world-class auteurs and local up-and-comers alike is among those things.”
Now that the long Oscar season nightmare is finally over, it’s time to sing “Auld Lang Syne” and enjoy the best of what’s playing locally. And let me tell you, the floodgates are open, first and foremost not one but two foreign film festivals.
It’s not exactly the mirror opposite of the situation we had last year at the Academy Awards, but most pundits seem to agree that whereas last year’s best picture frontrunner Argo left the best director […]