After he graduated from the University of St. Thomas, Jonathon joined the web team again as a web producer in February of 2011.
When he is not editing and/or writing articles, Jonathon writes for the Movie Blog.
Aside from cinema, Jonathon enjoys rock climbing, Dota and reading.
He also has a huge crush on Carl Sagan.
Director Paolo Virzì’s multi-sided moral fable Human Capital took home the Best Picture award last year from the equivalent of the Italian Oscars, managing somehow to best Paolo Sorrentino’s The Great Beauty, which happened to bag an actual Oscar. While Virzi’s film isn’t half as good as Sorrentino’s, it must be said that “Human Capital” is pretty, gripping and has the aura of greatness, even if it does come off a little too much like another Oscar winner, 2006’s Crash.
The days are growing longer, the breezes don’t quite feel as arctic, and a crop of new movies is in season. Just last week, I reviewed the clever vampire comedy “What We Do In The Shadows,” and this Friday the new movie from District 9 director Neill Blomkamp is at the Minnesota Zoo’s IMAX theatre.
Only have patience for one vampire movie in 2015? Make it this weird, silly, pitch-perfect mockumentary from New Zealand. “What We Do In The Shadows,” created by one of the minds behind “Flight of the Conchords,” has big laughs before the opening credits roll, and it goes on to take vampiric tropes, place them in a modern Wellington cityscape, and twist them into wonderful B-movie jokes.
A taste of la dolce vita is at the St. Anthony Main Theatre in Minneapolis this weekend as the seventh annual Italian Film Festival takes to screens with works from new talents and cinematic titans.
The Oscars are over. And while we’re still applauding Patricia Arquette’s acceptance speech and wondering what John Travolta was doing with Idina Menzel’s chin, it’s refreshing to look ahead and consider what movies to watch without all the awards hype in the background.
If “50 Shades Of Grey”looks impossibly boring to you, this might be the antidote. Peter Strickland’s “The Duke of Burgundy” is an avant-garde experience of the sensual and the psychological. While it’s gorgeous and kinky, it’s also a smart study of a complicated relationship, one that both flourishes and withers inside the walls of an elegant, sun-ripened European home.
More Oscar stuff this week, as you might have expected. And among the offerings are some fresh nominee screenings. One of the most exciting is that of Timbuktu, which is nominated for a best foreign film Oscar.
To call Beloved Sisters a romantic, historical epic about a threesome with a German poet is wrong. While the scenes are set gorgeously, with meticulously detailed costumes and props, and the story centers on the possible love life of the monumental Friedrich Schiller, there lacks a certain something when the characters’ passions flare and fists meet the table. The silverware rattles, but not much else.
With the Academy Awards still looming large on the horizon, it’s hard not to post up a handful of nominees again this week. A few of the big contenders — such as Birdman, Selma, Boyhood and American Sniper – are showing at several metro screens, and the Oscar-nominated shorts are also still going strong over at the Lagoon and the Riverview.
Bill Pohlad, known for producing such powerful films as 12 Years a Slave, Tree of Life and Brokeback Mountain, will have a director credit on a film slated to cap off this year’s Minneapolis St. Paul International Film Festival.
Now that the Super Bowl is behind us, let’s talk about a different type of spectacle, The Oscars.
The Walker Art Center’s beloved Internet Cat Video Festival is becoming something of a Minnesota summer tradition, and this year it’s coming to St. Paul.
Like “The Tale of Princess Kaguya,” one of my favorite films from last year, “Song of the Sea” is a gorgeously-rendered visual experience wrapped around a folktale narrative. Also like “Kaguya,” “Song” is among those films nominated for Best Animated Feature in the up-coming Academy Awards. Yet while my vote would probably still go to the anime, “Song of the Sea” is not to be ignored.
What makes the Australian horror movie The Babadook so spookily satisfying is that it isn’t so much about a shadowy monster terrorizing a single mom and her little boy as it is about the psychological health of a family devastated by loss.
To call Princess Kaguya pretty wouldn’t do it justice. The watercolor animation from Studio Ghibli (Spirited Away, Princess Mononoke) is at once airy and abundant, simple and sublime. For those depressed by winter’s early arrival, this film is a spring breeze, a breath of life.
Acclaimed and prolific documentarian Frederick Wiseman has turned his lens to a museum – and not just any museum. Works of Leonardo da Vinci, Rembrandt, Velazquez, Titian, and Rubens are among the thousands of classic paintings that fill the halls of London’s National Gallery, and Wiseman, in his observant and meticulous way, captures the struggles and joys of keeping the celebrated and venerable institution at such an exulted state.
Sweet Lord in heaven, what a movie. This tough, tragic documentary by filmmaker Jesse Moss is one of the year’s best, and it should probably be required watching for anyone in the Midwest.
Listen Up Philip is a film for those fascinated by Philip Roth, or that harbor a soft spot for people whose creative personalities stem, in part, from them being jerks. The dark comedy’s story revolves around the New York literary scene, and the problems a talented and amazingly egotistical young writer might face while living in “the city.” Yet, comedy might not be quite the word for it. Listen Up could just as well be a tragedy – a slow, meandering tragedy – with great design, superbly-rendered characters, and a few laughs here and there.
“Goodbye to Language” is pretty much impossible to follow and almost jokingly esoteric. To “get it” doesn’t even seem to be the point. Yet, it cannot be denied that “Goodbye” is jarring, visually electrifying and probably has more fun with 3D than any movie ever made.
This weekend kicks off Cine Latino, a film festival put on by the Film Society of Minneapolis-St. Paul that seeks to celebrate movies in Spanish and Portuguese. Here are capsule reviews of a few of the films that caught my eye.
Nothing quite says Happy Halloween like a spaghetti western set in Iran featuring a hijab-wearing vampire and a kick-ass soundtrack. Director Ana Lily Amirpour debut is a work of striking confidence and imagination; it’s a draft of life, a vein of new blood. Her work rings of the stuff of David Lynch and Harmony Korine, yet all the weirdness works to open the way for sonorous (and somehow gentle) emotion. Even if you’re allergic to zombies and vampires, this black-and-white gem isn’t one to hold a cross to. Moreover, it’s pretty much perfect that it’s screening Halloween night at the Walker.
The Film Society of Minneapolis-St. Paul is presenting what it calls the “region’s largest celebration of Spanish and Portuguese language film,” and tickets for the general public go on sale Monday.
Does your life change, ever so slightly, whenever you happen to hear a song from Elliott Smith’s “Figure 8”? If so, you might want to carve out some time next month to attend Sound Unseen, […]
Nick Cave, the legendary musician and writer, who was frontman of post-punk band The Birthday Party and currently heads Nick Cave and the Bad Seeds, is the beating, bleeding, open heart of 20,000 Days on Earth, a film so full of strange set pieces that it feels wrong to call it a documentary.
Toward the end of The Last Days in Vietnam, a marine who was part of the evacuation of Saigon describes the terrible episode as the Vietnam War “in microcosm.” That is to say: It had the tragic mix of good intentions and poor leadership that led to broken promises and a country’s demise. Yet, filmmaker Rory Kennedy’s vital and moving documentary on the Fall of Saigon isn’t so much about her pointing a finger, as it is about highlighting the pain, panic, heartbreak, and heroism wound up in those dark days in the spring of 1975.