Jonathon Sharp

jonathon sharp2 Jonathon SharpJonathon Sharp is a web producer and blogger at WCCO.com. He started as a New Media intern at the station in 2010.

After he graduated from the University of St. Thomas, Jonathon joined the web team again as a web producer in February of 2011.

When he is not editing and/or writing articles, Jonathon writes for the Movie Blog.

Aside from cinema, Jonathon enjoys rock climbing, Dota and reading.

He also has a huge crush on Carl Sagan.

most recent stories2 Jonathon Sharp

(credit: Music Box Films)

Movie Blog: ‘Generation War’ @ The Lagoon

Sympathizing with Nazis is something the viewer is pushed to do in “Generation War,” a four-and-a-half hour German miniseries that was originally titled “Our Mothers, Our Fathers.”

03/14/2014

(credit: Adopt Films)

Movie Blog: ‘Bethlehem’ Review

You can’t watch Bethlehem, a film that comes out Friday, without comparing it to Omar, which played in the Twin Cities only weeks ago. Both films are thrillers following young Palestinian men who are forced to work as informants for Israeli intelligence, and their lives are eventually torn apart. Bethlehem was Israel’s submission for Best Foreign Film, and Omar was Palestine’s. And while the latter got an Oscar nomination, it’s the former that’s the stronger, more nuanced look at a land divided.

03/07/2014

(credit: Magnolia Pictures)

Movie Blog: Nordic Lights Film Festival 2014 (In Brief)

If this relentless, frigid winter has you cooped up all Bergmanian — contemplating your sanity, the meaning of life — why not venture out this weekend to find solace (or at least some fun) in a celebration of modern Scandinavian cinema?

02/28/2014

(credit: Adopt Films)

Movie Blog: ‘Omar’ Review

Nominated for a Best Foreign Film Oscar, Omar is a thriller following a twenty-something Palestinian title character as he tries (and often fails) to manage the political and romantic intrigues that take over his life.

02/21/2014

(credit: Focus Features)

Movie Blog: Remind Yourself Why You Love Wes Anderson

Listen up, American movie fans. Until the end of this month and into the beginning of March, you can revisit (or acquaint yourself, perhaps) with the super-stylized worlds of America’s most beloved auteur.

02/17/2014

(credit: Drafthouse Films)

Movie Blog: ‘A Field In England’ Review

A Field in England is a testament to what weirdness the husband-and-wife, writer-director combo Ben Wheatley and Amy Jump can conjure up with just a handful of ingredients.

02/14/2014

(credit: The Weinstein Company)

Movie Blog: Philip Seymour Hoffman Week At St. Anthony Main

If you haven’t paid your cinematic respects to the late Philip Seymour Hoffman, Minneapolis’ St. Anthony Main Theatre has pretty much the perfect opportunity in the coming days.

02/13/2014

(credit: Janus Films)

Movie Blog: This Week’s Best Bets

It’s the week of Valentine’s, but I’m not sure if love is in this frigid, arctic air. While there’s certainly no lack of romantic films slated to play in the Twin Cities, there’s no real surplus of them either. And that’s cool with me.

02/10/2014

(credit:  Magnolia Pictures)

Movie Blog: Great Docs You Missed But Are Now On Netflix

Here are five excellent documentaries that are now on Netflix Instant. So when you’re out of TV shows to binge on, pop these into your queue.

01/20/2014

(credit: HBO)

Movie Blog: ‘Crash Reel’ Review

As the Sochi Olympics loom, this is, without doubt, the documentary to see. Directed by Lucy Walker, The Crash Reel is a powerful and sobering look at the blood on the snow of the action sports world that forces us to question our devotion to sports cliches like “go big or go home.”

01/13/2014

(Tribeca Films)

Movie Blog: ‘Truth About Emanuel’ Review

Submerged, sublimely it starts. Light slices through water, and we hear the voice of Emanuel, a beautiful teenage girl, who’s enveloped in her life’s great tragedy: the death of her mother. The 17-year-old (played by the British actress Kaya Scodelario) tells us she killed her mom, and that she’s “not supposed to be here.” Her mother died giving birth to Emanuel, and she blames herself, going so far as to say she’s a murderer.

01/10/2014

(credit: IFC Films)

Movie Blog: ‘Is the Man Who Is Tall Happy?’ Review

How does the world seem to you? Do you grow older, finding you have a pretty good understanding of the way things work socially, politically and scientifically? Or do you find yourself often puzzled, caught up in a web-like mess of extremely complex systems you have no clue how to grapple with despite honest attempts to learn a thing or two each day?

12/13/2013

(credit:  Indigo Film)

Movie Blog: ‘The Great Beauty’ Review

In The Great Beauty, director Paolo Sorrentino channels a Rome as classical and surreal as anything made by the great Golden Age master Federico Fellini. Within the first 15 minutes of Sorrentino’s latest, hints of the Italian titan’s La Dolce Vita and 8 1/2 flash before one’s memory, but this time in pulsing electric, rapturous colors.

11/29/2013

(credit: Tribeca)

Movie Blog: ‘The Broken Circle Breakdown’ Review

Bluegrass, sex and the shadow of death. Those are the elements that bind together the lyrical and longwinded Broken Circle Breakdown, a drama that simultaneously tells two stories: that of how a young couple fell in love, and how their love failed.

11/23/2013

(credit: France 3 Cinéma)

Movie Blog: Highlights Of ‘Images Of Africa’ Film Festival

Despite the snow and the cold, the Twin Cities are a place many Africans call home, and those over at the Film Society of Minneapolis/St. Paul decided to celebrate that fact with a festival called Images of Africa.

11/15/2013

(credit: Zeitgeist Films)

Movie Blog: ‘Let The Fire Burn’ Is Searingly Brilliant

An astounding work of documentary film making, Let The Fire Burn uses only archival footage to tell the devastating story of Philadelphia’s 1985 police raid fiasco, which turned a working-class neighborhood into a fiery war zone, a living hell that claimed 11 lives, including those of five children.

11/08/2013

(credit: Jacques Productions )

Movie Blog: The First-Ever Reel Abilities Film Festival

The trailer above is for Wampler’s Ascent, a film following Steve Wampler, who has cerebral palsy, as he does some 20,000 pull-ups to conquer the 3,000 foot face of Yosemite’s iconic El Capitan. Part determination doc, part nature flick, the film is just the thing you’d want to kick off the Twin Cities’ inaugural Reel Abilities film festival: five days of inspiring stories and profound insights into realities not often explored in today’s cinema.

10/30/2013

(credit: Strand Releasing)

Movie Blog: ‘Zaytoun’ & ‘Zigzag Kid’ Reviewed

Eran Riklis’ Zaytoun tells the odd-couple story of an Israeli soldier and a Palestinian boy as they journey through peril and personal prejudice toward home and eventually friendship. It’s a promising concept — just watch the trailer above — but Riklis doesn’t get the better of it. Instead, the film flounders in a muddled tone and that muck of mucks: sentimentalism.

10/25/2013

(credit: Kartemquin Films)

Movie Blog: ‘Trials of Muhammad Ali’ & ‘After Tiller’ Reviewed

There are two ways of looking at the great boxer. One has only to do with us, the American public; and the other has to do with him: the man, the fighter, the political and spiritual figure. Siegel’s film takes the latter approach, showing that the heavyweight champion’s most grueling fights weren’t ever in the ring.

10/18/2013

(credit: IFC Films)

Movie Blog: ‘Blue Caprice’ & A Culture Of Violence

Remarkably, all the killing that takes place in Blue Caprice is anything but sensational. Moors describes the movie’s tone as that of a “sad poem” or requiem only occasionally broken up by the crack and vacuum of rifle fire. Style-wise, Blue Caprice is no triller, and there’s no cat-and-mouse game between cops and criminals. This is a twisted family drama with a father, a son and a blue 1990 Chevrolet Caprice.

10/11/2013

(credit: Magnolia Pictures)

Movie Blog: ‘Good Ol’ Freda’ & ‘When Comedy Went To School’ Reviewed

So who’s Freda? She’s the band’s longtime secretary, who literally grew up with the Beatles, and saw their lives like no other fan girl did.

09/27/2013

(credit:  Movimento Film)

Movie Blog: ‘Il Futuro’ Review

The luster of eroticism — a naked 19-year-old girl polished in olive oil — doesn’t do all that much in Il Futuro, a film that tries to be literary but comes off as something more pretty than poetic.

09/24/2013

(credit: LITTLE MAGNET FILMS)

Movie Blog: ‘Museum Hours’ Review

In Museum Hours , director Jem Cohen does this beautiful trick where he takes details of Vienna’s cityscape (a dreary playground, for instance, or a remnant of WWII weaponry), and splices them together with tiny details of old, old paintings. The wonderfully executed yet simple technique produces this lovely little feeling, a sort of emotional reminder that art reflects life, and vice versa.

09/20/2013

viola

Movie Blog: ‘Viola’ Review

“Are you in a relationship or a routine?” That’s the central question poised to Viola (María Villar) toward the end of Matías Piñeiro’s pithy and poetic drama by the same name.

09/17/2013

(credit: Magnolia Pictures)

Movie Blog: ‘Drinking Buddies’ Stronger Than 3.2 Rom Com

The trailer for Drinking Buddies goes down like something you’ve tasted a hundred times before, a rom com in which two couples somehow swap lovers and end up all the happier for it. Coming off more Hollywood than “mumblecore,” the preview makes you feel as though you know what you’re getting into — the tried-and-true altered just so much by indie influence, the cinematic equivalent of Blue Moon.

09/13/2013

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