Cheers for antoher great post — it’s really nice to see such a detailed discussion of the nuts and bolts. It is funny how the rejections and acceptances ebb and flow. A good friend of mine is an author, and he amassed a stack of 30 some-odd rejections in a row, only to then turn around and have 6 acceptances for publication in the space of a few months. My own ratio is pretty positive, but the galleries where I have or will be showing are owned by people I had some previous relationship with, either through them visiting my studio, or personal contacts with other artists, etc. I’m inclined to agree with Lisa that a lack of rejections probably means I’m not casting the net widely enough, which is certainly the case, at least geographically.Oh, and I really like the bug.
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