Here are five of the best indie theaters in Minnesota, the only place where one can catch the best of the past and the most creative of the new.
Because studios apparently think that Oscar voters have the shortest of short-term memories, this week and next will see the release of literally dozens of movies that qualify as “must-sees” … or at the very least a dozen. This Friday, the Twin Cities gets three movies that are all in the conversation for best picture nominations.
If you were hoping to get into this week’s Sound Unseen showings of The Punk Singer at the Trylon, you’re out of luck. All of the shows are now sold out, proving once again you have to be quick to get into some of those ever-popular S.U. screenings. Otherwise, here are the five best bets for local-and-limited screenings this week.
Thanksgiving gives you the chance to reflect and reminisce. In that vein, here are four beloved movie options around town this week to ignite the warming bug of nostalgia … and one unforgettable turkey.
Before a movie starts, you’ll see ads on the screen and previews of coming attractions, but it’s an old-time attraction drawing customers to one Twin Cities theater.
As summer starts to enter its final stretch, it’s probably time to consider kissing endless weeks of disposable entertainment adieu in favor of more substantial cinematic offerings.
It’s going to be a good weekend at Landmark Theaters for movie-goers who specifically seek out movies that tie into current events. Here is a list of some of the other limited release screenings you’ll want to check out this week.
It’s Pride Week in the Twin Cities, and LGBT themes pop up in at least a few of the next seven days’ worth of recommended screenings. Here are your best bets for the week.
Check out these interesting alternatives in Minnesota to the usual summer blockbuster movies.
The hits just keep coming. Upstream Color is being brought back for an encore run at the St. Anthony Main Theater on Friday, along with another pair of specialty draws. The Heights continues its dazzling Hollywood extravaganza. The Walker’s got a couple of can’t-miss arty attractions.
Think you’re going to catch a fallow period for moviegoing on the eve of the Minneapolis-St. Paul International Film Festival next month? Think again.
Mediterranean cinema gets the Oscars, and Iranian cinema gets critics’ attention. Cradled somewhere between the two is a rich and diverse panoply of filmmaking voices that are not often enough given the international spotlight.
The Oscars are next Sunday, so if you haven’t caught some of the worthy contenders like Lincoln, Zero Dark Thirty or Amour, there’s still a little bit of time. (And if you haven’t seen the also nominated Les Miserables, count yourself lucky.)
You’ve gotta love a week where a double bill of gutsy noir competes for attention with two fests’ worth of Nordic cinema and also screenings of Mike Leigh’s uncharacteristic period piece.
First off, I love January, February and March. Every boilerplate-looking B-movie offers the chance to be delightfully surprised. Second, broaden your scope to explore some of this week’s indie and repertory choices.