Perhaps the best thing about Phoenix, the latest film from German director Christian Petzold, is that the ending is perfect, absolutely perfect. Not only does it neatly wrap the post-WWII story together, it hits you with a punch of emotion so strong you’ll be teary-eyed and breathless as the credits roll in dead silence.
The Internet Cat Video Festival has come and gone, and so has summer, it seems. The forecast this week looks like it’s straight out of October, so it’s probably a good time to catch a movie, or watch something new on Netflix.
For a world-class photographer who’s skied down Mount Everest and climbed the some of the most daunting peaks on the planet, Jimmy Chin was surprisingly enthusiastic to talk to WCCO earlier this week.
It’s a busy week for movies here in the Twin Cities. We’ve got a massive festival for the internet’s beloved cats, two compelling documentaries hitting theaters, and a screening of a French New Wave classic.
It’s August already. How is that even possible? Any day now, you’ll be seeing back-to-school shopping displays at Target and planning out a visit to the Great Minnesota Get-Together. Already that nostalgia for summer is welling up as the nights get increasingly cooler. Already I’m drinking beers on rooftops and patios wondering how many of these I’ll have before the leaves start falling and the sun goes down with the workday.
hat Sugar Film, a Supersize Me-style documentary out of Australia, uses a sort of cinematic super-sweetness to combat the pervasiveness of sugar in our modern food supply. Filmmaker Damon Gameau’s film is visually over-the-top, with talking head experts appearing on cereal boxes and all sorts of different food labels.
It’s the dog days of summer, and there’s a bunch of great cinema to experience in the Twin Cities.
Much of the buzz around Tangerine stems from the fact it was shot entirely on iPhone 5s, equipped with special lenses. While it is indeed remarkable that a pocket-sized device could have produced such a […]
Somehow, summer is halfway over. That being said, you should probably spend as much time as possible out enjoying the warm season on a lake or a patio.
Questions about vigilantism are at the heart of Cartel Land, a gripping documentary on the people risking their lives taking a stand against Mexican drug cartels on both sides of the border. Directed by Matthew Heineman, whose camerawork is athletic and fearless, the movie unfolds like a blockbuster action flick, not unlike executive producer Kathryn Bigelow’s The Hurt Locker or Zero Dark Thirty. The film starts in Mexico, in the dead of night, with masked men cooking meth, explaining that while the drugs might wreak havoc in America, it’s the only way for them to escape poverty. What choice do they have?
If you’re looking to escape the heat and humidity this week, there’s probably no better way to do it than to watch Satyajit Ray’s gorgeously restored and undeniably epic Apu trilogy, which is playing over at the Lagoon Cinema. While it’s no doubt a commitment to see each film, the payoff is hug: It’s one of those works that’ll rekindle your belief in the power of cinema, or art in general. Seriously, it’s that good.
The love story that unfolds in “Love At First Fight” defies easy categorization. It’s not a French romcom, it’s not a passionate kissing fest, and it isn’t a tearjerker either. It’s just a slow-burning romance of sorts, with well-placed laughs. Featuring a remarkable performance by up-coming actress Adèle Haenel, the film is irresistible as it is unpredictable, and it makes for almost perfect summer movie watching.
If you looked at this headline and had no idea what esports are, here’s an explainer: Esports are video games played competitively, often at incredibly high stakes, before a massive, global audience.
With the holiday weekend come and gone, perhaps there’s a bit more free time in your schedule for movies. If that’s the case, you may want to check out the Walker Art Center’s Summer Nights/Cool Cinema series, which starts this week.
While the most recent adaptation of “Madame Bovary” is no doubt pretty, director Sophie Barthes’ take on the classic Flaubert novel doesn’t quite feel like anything more than a bookish period piece. The dialogue is too flowery, the performances are mixed at best, and the film appears to be addicted to swooning over its delicate piano soundtrack.
The “Wolfpack” raises far more questions than it answers, and that’s both why the documentary is so compelling and, at the same time, somewhat frustrating.
When director Alfonso Gomez-Rejon started work on “Me and Earl and the Dying Girl,” the film that went on to conquer this year’s Sundance Film Festival, bagging both the Audience Award and the Grand Jury Prize, he didn’t think he’d put a dedication to his late father at the very beginning of the movie.
A history of “Saturday Night Live” that isn’t afraid to dive into the show’s issues of diversity and identity, “Live From New York” is a compelling and effectively moving portrait of a program than in 40 years has gone from being an avant-garde game-changer to an American institution.
Nearly a decade ago, first-time filmmaker Marah Strauch thought she was going to make a documentary about her uncle, a man who filmed himself and others jumping off cliffs and skyscrapers for fun.
One of the best films to screen at the latest Minneapolis-St. Paul International Film Festival, Slow West blends a Coen brothers-like sense of humor with Tarantino-smacking violence to create a frontier story that’s hard to pin down and also forget.
The penultimate film of Albert Maysles is a loving and inquisitive look into the life of a now 93-year-old fashion icon.
Growing up as a kid with special needs, Nick Bertsch didn’t get invited to birthday parties or sleepovers. Making friends was tough, yet that didn’t stop him from becoming a close friend to one of TV’s most iconic characters: Big Bird.
In 1964, Muppet master Jim Henson picked the young puppeteer Caroll Spinney to don an 8-foot-tall bird suit for an educational children’s show called “Sesame Street.” Forty-five years later and more than two decades since Henson’s death, Spinney is still the man inside that yellow-feathered puppet, recognized the world over as Big Bird.
A lot of power in a relatively small package, “Tangerines” is an anti-war chamber drama with the emotional thrust of a knife to the gut.
After showing more than 200 films over the course of the past few weeks, the 34th annual Minneapolis-St. Paul International Film Festival has wrapped up, and the competition results are in.