It’s unfortunate that this film had to go up against Boyhood. That 12-years-in-the-making, coming-of-age colossus is my most anticipated movie of the summer, and it comes out the same weekend as Hellion, which is also a film about growing up. It’s also unfortunate that Hellion is a bit hit-or-miss.
To say something is seriously wrong with the cost of college – and mountain of debt piling atop the backs of America’s young people – is to state the obvious. Andrew Ross, the director of Ivory Tower, understands this. Instead of just saying “Guys, we’re in a hell of a pickle here,” his documentary gives us a road map as to how we got to this place and tries to decipher, through the fog of unrest and a forest of blinking technological light bulbs, what our possible options are to move forward. Don’t get me wrong, though: Ross doesn’t hint at a savior. The reason, after all, this is such a big mess is that no one has the knowledge, or will, to fix it. Still, it’s a given things are bound to change pretty soon. Everyone, it seems, agrees on that.
Why the hell is she doing this? — That’s the question you’ll likely be asking yourself throughout Young and Beautiful, a film focused on the sexual adventures of a devastatingly beautiful girl.
Kristen Wiig — known for starring in and writing “Bridesmaids,” and for her work on “Saturday Night Live” — is probably one of the very brightest comedic actresses working today.
The film is set in the year 1990, just after the fall of the Berlin Wall. We meet Katrine in an airport in Germany, and due to her wearing a disguise, we know that she’s up to something fishy.
The Minnesota Department of Human Services has budgeted $1.8 million for the possible costs of a court-ordered evaluation of the state sex-offender program.
Before there was a Neverland, before a pirate captain lost an appendage and before there was a John, Michael and Wendy, there was a young boy that yearned for a sense of normalcy. We all know the classic story of Peter Pan — the leader of a magical world where grown ups aren’t allowed and kids can truly be kids.
Regulators say they won’t extend the 90-day comment period for the environmental review for the proposed PolyMet copper-nickel mine beyond March 13.
Nominated for a Best Foreign Film Oscar, Omar is a thriller following a twenty-something Palestinian title character as he tries (and often fails) to manage the political and romantic intrigues that take over his life.
A Field in England is a testament to what weirdness the husband-and-wife, writer-director combo Ben Wheatley and Amy Jump can conjure up with just a handful of ingredients.
Minnesota Gov. Mark Dayton said Thursday, he’s deeply disappointed in the problems at the state’s health care exchange.
The troubled website for Minnesota’s health insurance exchange can’t be completely fixed in time for the March 31 deadline by which all Americans are supposed to have coverage under the new federal law.
Schedule your Brazilian wax and gird your loins — it’s time for “Cabaret.” Hailed as one of the greatest musicals of all time, the all-local production of “Cabaret” certainly had plenty to live up to.
We’re highly familiar with Jerry Seinfeld, the single guy who lived across from a zany neighbor and helped solve the every day traumas of his neurotic companions.
As the Sochi Olympics loom, this is, without doubt, the documentary to see. Directed by Lucy Walker, The Crash Reel is a powerful and sobering look at the blood on the snow of the action sports world that forces us to question our devotion to sports cliches like “go big or go home.”