Nominated for a Best Foreign Film Oscar, Omar is a thriller following a twenty-something Palestinian title character as he tries (and often fails) to manage the political and romantic intrigues that take over his life.
A Field in England is a testament to what weirdness the husband-and-wife, writer-director combo Ben Wheatley and Amy Jump can conjure up with just a handful of ingredients.
Minnesota Gov. Mark Dayton said Thursday, he’s deeply disappointed in the problems at the state’s health care exchange.
The troubled website for Minnesota’s health insurance exchange can’t be completely fixed in time for the March 31 deadline by which all Americans are supposed to have coverage under the new federal law.
Schedule your Brazilian wax and gird your loins — it’s time for “Cabaret.” Hailed as one of the greatest musicals of all time, the all-local production of “Cabaret” certainly had plenty to live up to.
We’re highly familiar with Jerry Seinfeld, the single guy who lived across from a zany neighbor and helped solve the every day traumas of his neurotic companions.
As the Sochi Olympics loom, this is, without doubt, the documentary to see. Directed by Lucy Walker, The Crash Reel is a powerful and sobering look at the blood on the snow of the action sports world that forces us to question our devotion to sports cliches like “go big or go home.”
For a restaurant company that’s built a small empire in the Twin Cities, it’s almost funny to hear their latest venture was introduced over beers during a summer music festival.
A proposal for Minnesota’s first copper-nickel mine takes a crucial step forward Friday when regulators release a long-awaited updated environmental review that’s certain to fuel the debate over whether the state can get the hundreds of jobs a new era of mining could bring without sacrificing its cherished waters and wild places.
Being located inside a popular mall and being considered a “hotel restaurant” — two things that can go hand-in-hand with dining only for convenience and necessity. FireLake Grill House & Cocktail Bar had both hurdles to overcome when they opened earlier this spring.
At the end of his one-man show, Billy Crystal answered the question many may have been wondering — after being on Broadway, why bring the show only to Minneapolis?
Turns out, Dorothy, from ‘The Wizard of Oz?’ Nothing but a trouble-making farm girl that ruined everything. That’s right. We were lead to believe she was nothing more than an innocent, naive lost child from Kansas, just trying to find her way home somewhere over the rainbow. But we know better now.
During a slight lull between songs, Mumford and Sons looked out across the sold-out crowd of the Xcel Energy Center and asked a simple question: “Where were you in (2008) when we played the 400 Club to 12 people?”
“This is a play that’s unlike anything anyone’s ever seen before.” That was the early promise from War Horse’s lead actor, Alex Morf, when I talked to him earlier this week. After seeing the performance Wednesday night during the show’s debut at the Orpheum Theatre, I can’t help but completely agree.
hen a musical has people humming, singing (sometimes hysterically) and air-guitar-playing the hit songs of the show before it even starts, it’s gonna be a good time.