St. Anthony Main Theatre
The Boundary Waters Canoe Area Wilderness is a spiritual place for anyone who has ever ventured there, for an ordeal packed with unforgettable serenity. But even in the of the golden age of the Minnesota Film Board in the 1990s, a location scout could never convince anyone that the BWCA was a practical place to shoot for even an afternoon.
Going to the movies sounds particularly good when 9 inches of wet, heavy spring snow falls in late March.
The best thing about “Spring” is that it wears its weirdness on its sleeve
A taste of la dolce vita is at the St. Anthony Main Theatre in Minneapolis this weekend as the seventh annual Italian Film Festival takes to screens with works from new talents and cinematic titans.
More Oscar stuff this week, as you might have expected. And among the offerings are some fresh nominee screenings. One of the most exciting is that of Timbuktu, which is nominated for a best foreign film Oscar.
Bill Pohlad, known for producing such powerful films as 12 Years a Slave, Tree of Life and Brokeback Mountain, will have a director credit on a film slated to cap off this year’s Minneapolis St. Paul International Film Festival.
It seems Minneapolis’ oldest bar may have closed its doors for good. On Tuesday, would-be customers and passersby noticed that Pracna on Main was closed. The bar and restaurant was built in 1890 and sat along the cobblestones of the city’s oldest street.
After days of back and forth, a movie that many thought would never be shown to the public is now playing.
Sweet Lord in heaven, what a movie. This tough, tragic documentary by filmmaker Jesse Moss is one of the year’s best, and it should probably be required watching for anyone in the Midwest.
Mizna’s 9th Arab Film Festival hits the Twin Cities this weekend, with dozens of films from several countries. This year’s festival features several exciting selections, like Kaouther Ben Hania’s thrilling “Challat of Tunis.” Filmed in a gripping, faux-documentary style, “Challat” is inspired by a rumor ignored by local authorities over a decade ago about a biker who would slash women while they walk on the streets of Tunis.
The Film Society of Minneapolis-St. Paul is presenting what it calls the “region’s largest celebration of Spanish and Portuguese language film,” and tickets for the general public go on sale Monday.
No plans Tuesday night? Then perhaps you’ll be down to judge some short films in the world’s only global film festival. It’s called Manhattan Short, and it’s happening (locally) at Minneapolis’ St. Anthony Main Theatre.
It’s unfortunate that this film had to go up against Boyhood. That 12-years-in-the-making, coming-of-age colossus is my most anticipated movie of the summer, and it comes out the same weekend as Hellion, which is also a film about growing up. It’s also unfortunate that Hellion is a bit hit-or-miss.
Brooding, tense, and disturbingly quiet: “Night Moves” feels strangely like a thriller despite its slow, steady burn. It’s like watching the last embers in a fire pit. The flames are low, yet there’s a strange power in the wood’s hypnotic, pulsing glow.
Kristen Wiig — known for starring in and writing “Bridesmaids,” and for her work on “Saturday Night Live” — is probably one of the very brightest comedic actresses working today.
Toward the end of The Unknown Known, Donald Rumsfeld says he’d loved to have known what was going through the mind of Saddam Hussein’s right hand man, Tariq Aziz, during the final years of the dictator’s regime. “[Aziz] is a perfectly rational, logical individual,” the Secretary of Defense under George W. Bush says. “You wonder: What goes on in a mind like that?”
What makes Ilo Ilo more than just another family drama is the nuance with which writer/director Anthony Chen builds his characters. While each one appears based on a stereotype (the commanding mother, the shy maid, the troublesome son), they also have certain flaws or attributes that make them, as individuals, appear much more human than the usual fare that alights in family dramas, which are so fatally prone to melodrama.
If this relentless, frigid winter has you cooped up all Bergmanian — contemplating your sanity, the meaning of life — why not venture out this weekend to find solace (or at least some fun) in a celebration of modern Scandinavian cinema?
Listen up, American movie fans. Until the end of this month and into the beginning of March, you can revisit (or acquaint yourself, perhaps) with the super-stylized worlds of America’s most beloved auteur.
It’s the week of Valentine’s, but I’m not sure if love is in this frigid, arctic air. While there’s certainly no lack of romantic films slated to play in the Twin Cities, there’s no real surplus of them either. And that’s cool with me.
Despite the snow and the cold, the Twin Cities are a place many Africans call home, and those over at the Film Society of Minneapolis/St. Paul decided to celebrate that fact with a festival called Images of Africa.
This week sees the start of both the latest Sound Unseen, one of the most highly-anticipated annual events of the Twin Cities film and music scenes, as well as the astonishingly comprehensive Images of Africa festival at St. Anthony Main.
The trailer above is for Wampler’s Ascent, a film following Steve Wampler, who has cerebral palsy, as he does some 20,000 pull-ups to conquer the 3,000 foot face of Yosemite’s iconic El Capitan. Part determination doc, part nature flick, the film is just the thing you’d want to kick off the Twin Cities’ inaugural Reel Abilities film festival: five days of inspiring stories and profound insights into realities not often explored in today’s cinema.
As summer starts to enter its final stretch, it’s probably time to consider kissing endless weeks of disposable entertainment adieu in favor of more substantial cinematic offerings.
It’s going to be a good weekend at Landmark Theaters for movie-goers who specifically seek out movies that tie into current events. Here is a list of some of the other limited release screenings you’ll want to check out this week.