St. Anthony Main Theatre
First off, I love January, February and March. Every boilerplate-looking B-movie offers the chance to be delightfully surprised. Second, broaden your scope to explore some of this week’s indie and repertory choices.
The weekly “best bets” column took a few weeks off during the thick of the holiday season, but there are still plenty of cinematic presents under the Twin Cities tree.
Odds are you may be looking for something different this weekend, as the only big release on the horizon for next weekend is “Playing for Keeps.” Here are some of the best alternative screening options for the next seven days.
If you’d like to catch something a little bit less in high public demand but still more than worth your time and extra effort, here are some of the best screening options for the next seven days.
If you’d like to avoid the crush of families itching to spend some time away from each other at the multiplex, there are a few more offbeat screening options this week you might want to consider. Here are some of the best screening options for the next seven days.
Dinner and a movie? How about the Food & Wine Film Festival (Oct. 25-28).
Film arts are flourishing in the Twin Cities attested to by a vibrant community that has supported its evolution over the years.
The weather’s been beastly hot for the last few days. Whether or not it stays that way through the rest of July, there are plenty of options at the Twin Cities’ rep and art houses to keep you indoors and out of the sun.
That Hollywood’s usual Jujyfruit summer offerings this year have been subpar is no secret. Though the season kicked off with the hit The Avengers, almost every big release since has underperformed or just tanked flat out.
A film festival celebrating the work of Minnesota high school students will be held Friday in Minneapolis.
The second to last night of MSPIFF bites … in a post-apocalyptic vampire kinda way.
The Minneapolis-St. Paul International Film Festival is winding down, but some of the biggest titles are still in play, at least so far as exposure on the international festival circuit goes. For instance, “My Joy.”
To be blunt, I’m not sure Catherine Breillat cares what I think about her movies. In fact, I’m sure she cares about what I don’t think about her movies. Actually, I suspect she thinks I don’t think at all.
Free Radicals: A History of Experimental Film plays like a hip-hop collaboration in which a rapper or producer features the rhymes or rhythms of his rapper and producer friends.
The WWII pictorial drama is probably going to forever be a staple of European cinema. Instead of the Cinema Paradiso school, call it Cinema Inferno.