Eric Henderson joined the WCCO.COM web team in June 2006 and currently serves as WCCO’s web content manager. As a member of the web team, he has won three Emmy Awards as well as an Edward R. Murrow Award.
A card-carrying cinephile (that’s snob-speak for movie buff), he has been writing about movies since he was a high school student in Burnsville, Minn. He still remembers the flack he got from his peers for writing a negative review of Tommy Boy.
He continued writing about movies while enrolled at Concordia College in Moorhead. He was also the arts and entertainment editor for The Concordian newspaper and station manager of KORD-FM, where he would also spin old school jams on his weekly radio show.
Upon graduation, he began writing reviews for both City Pages and Slant Magazine. His articles on director Brian De Palma were mentioned in the New York Times.
In his spare time, Eric enjoys playing piano and climbing rocks … predominately indoors, but that may change any summer now.
I’m not Catholic, and I am no longer an aspiring nun, so I have no real knowledge of what vows those entering the convent are supposed to take before pledging their lives to God’s service. But I would have to assume that one of them is the vow of modesty.
I’m not exactly surprised to see the box office receipts for this holiday weekend. Specifically, I’m not surprised to see that Godzilla is off by 77 percent of its opening weekend totals.
Too often I tie your decision on whether or not you should catch a limited-release or repertory screening in the Twin Cities based solely on the weather. For much of the last year or two, that’s been a winning bet on my part, with two endless winters and stifling summers.
“Because the movie’s called Godzilla!” That’s what I’ve heard a number of times already from some audience members and critics who felt shortchanged by the amount of screen time given to the indomitable Gojira.
I’ll give you five good reasons to check out a movie this week. I’m not talking about the titles I mention below. I’m talking about the cold and/or cloudy weather predicted for Monday through Friday this week.
I couldn’t help but wonder what the outcome of their conflict would have been had they put their violence urges on ice and instead submitted themselves into an epic series of fraternity Olympics.
As much as I loved counting down the top movie mothers of all time … counting down the 10 worst is just more fun. I have no idea what that means in the long run, but in any case, here is a poison pen letter to cinema’s mothers we all love to hate.
Before, I counted down the top 10 worst movie mothers of all time. Now a list of the greatest mothers in all movie history, because there’s never a bad day to pay tribute to mothers, right?
Series boasting films both old and new continue this week at the Riverview, the Trylon and the Walker, but one of the most exciting new additions to the Twin Cities film scene this week is a movie that’s older than your great-grandmother. Read on.
More often than not, it takes at least six months to a year (if not longer) for festival movies to arrive in the Twin Cities, especially given all the titles distributors hold onto until Oscar season kicks into high gear.
There’s only one major movie release set to storm multiplexes this coming weekend — The Amazing Spider-Man 2 — and there’s a lot of rain and sleet in the 7-day forecast, so don’t even pretend you don’t want to hole up and catch some offbeat movie selections this week.
. In his new documentary, Rithy Panh tries exorcise memories he knows all too well, though much of the evidence was lost in the chaos surrounding him. But the figurines in the spotlight of “The Missing Picture” are in no form an escape from reality.
The Shakopee, Minn. amusement park Valleyfair is adding a new ride this year called Northern Lights. The ride is aimed at families, so it’s not among the park’s faster, wilder rides. Instead, it reaches a top speed of 43 miles per hour.
I bet you thought I was going to issue a postmortem on the 2014 Minneapolis-St. Paul International Film Festival, right? After all, Saturday night was the closing night. Oh, no. Closing night is only the beginning. Now’s the time to double back to catch all the audience favorites you missed the first time around!
Sometimes it takes months and months for movies that play the Minneapolis-St. Paul International Film Festival to show up in general release in the Twin Cities. Even more often, films from the festival roster don’t show up again at all. And then every once in awhile an MSPIFF selection pops into theaters in a matter of days.
That’s not Thom Yorke on the, ahem, “Motion Picture Soundtrack” for How to Disappear Completely. It’s the spare, oddly dispassionate beats of Eyedress, which lace Raya Martin’s dark and foreboding mystery with an aura of coolness that eventually seems to turn into hypoxia, not unlike what the Tindersticks efforted for Claire Denis’s Bastards last year. […]
Directed by Stephanie Spray and Pacho Velez but supervised by Lucien Castaing-Taylor (whose Leviathan was among last year’s most memorable films, documentary or otherwise), you might say that nothing happens in Manakamana. Or you could say that everything happens. Or you could eschew either/or logic entirely and succumb to the inscrutable “in between.” Unlike Leviathan, […]
The MSPIFF is in its final stretch, and some of the biggest titles are still to come. So this week, make that your first movie priority. But if your well of cinephilia ne’er runs dry, there are a few other options to check out this week.
I never understand why some people object to movies wherein the surface is the primary element and the rest is not necessarily subjugated but at least is entirely informed by that element. But there is admittedly something to be said for discipline.
This week’s collection of movie best bets is a bit hastier than normal because, duh, you should be first and foremost checking out our daily selections from the Minneapolis-St. Paul International Film Festival. Just as the weather’s heating up, so are the number of movies enticing you to stay indoors.
It’s a little difficult to recommend today’s selection if you aren’t already familiar with the films of South Korean master Hong Sang-soo. Like many auteurists’ pet faves, he tends to allow elements and themes to flow freely between his films, and the result is a body of work that’s greater than the sum of its parts.
I know it’s perpetually bad form to criticize the critics when it comes to covering festival movies, but sometimes it’s inevitable when it feels like critics are the only ones talking about a given film. But to hear people accuse “Closed Curtain” of being self-pitying, well, cry me a river.
While at this time last year, very few people had likely heard the name Solomon Northup (the victimized protagonist of the Oscar-winning 12 Years a Slave), it’s a safe bet far fewer still had ever heard of Dido Elizabeth Belle Lindsay.
With both a rude jolt and a surge of excitement, film fans in the Twin Cities find themselves on the cusp of this year’s Minneapolis-St. Paul International Film Festival, which opens on Thursday with a screening of Belle and continues for 17 days with more than 200 features.
In a few weeks, the MSPIFF starts up and everything else goes out the window. So if you’re looking to wrap up some loose ends — like, say, Nymphomaniac, Vol. 1 — do so as soon as possible.