Minneapolis-St. Paul International Film Festival
After showing more than 200 films over the course of the past few weeks, the 34th annual Minneapolis-St. Paul International Film Festival has wrapped up, and the competition results are in.
Dozens have been killed and mutilated in Tanzania in the past 15 years, and all because they were born with albinism, a congenital pigmentation disorder. But these people were not targeted simply because of their unusual appearance. Some in the East African country believe harvesting the organs and body parts of albinos provides good luck.
I sort of thought it would be fun to write a review of the new film The End of the Tour as short as David Foster Wallace’s masterpiece Infinite Jest is long. So … yeah. […]
The Boundary Waters Canoe Area Wilderness is a spiritual place for anyone who has ever ventured there, for an ordeal packed with unforgettable serenity. But even in the of the golden age of the Minnesota Film Board in the 1990s, a location scout could never convince anyone that the BWCA was a practical place to shoot for even an afternoon.
Science documentaries focusing on climate change in Antarctica, with gorgeous images of cerulean icebergs and throngs of wobbling penguins, are not exactly rare these days. Dena Seidel’s Antarctic Edge is the latest among them, and while it’s not as mesmerizing as last year’s Antarctica: A Year on Ice, it does champion an important group of people: the scientists spending huge chunks of their lives studying the frozen continent.
The beauty of director Naji Abu Nowar’s Theeb lies in its seeming simplicity. On the surface, it looks like a boy’s coming-of-age adventure story. Yet, on a deeper level, the film surges with western themes […]
Stanley Nelson’s gripping and thorough documentary on the Black Panther Party is the first in his series of three films about the black experience in America. The documentarian — best known for the immersive and […]
Perhaps if one mixed the cinematic vision of the Coen brothers with the Rocky Mountain vistas and greasy leather hats of Red Dead Redemption, the result would be something like John Maclean’s incredibly stylish and […]
My introduction to Japanese artist and director Katsuhito Ishii was, oddly enough, at the 2005 Minneapolis-St. Paul International Film Festival. I had no idea what I was getting into at a screening of The Taste Of Tea — a hilarious, quiet, outrageous, sensitive, violent, magical and sob-provoking tale of a multi-generational family.
There are longueurs that occur throughout French director Céline Sciamma’s new drama Girlhood almost as if on a schedule. These moments feature the central character Marieme (Karidja Toure) seemingly soaking in a privileged moment in […]
Why is it that nearly all of America’s mass murders are men, when women have just as easy access to firearms? Why are boys more likely to be bullied? To have learning issues? To drop out of school? To commit suicide? Those are just a few of the questions posed by The Mask You Live In, the latest documentary on gender in America by Jennifer Siebel Newsom, whose last film, Miss Representation, explored how women are under-represented in positions of power.
Saying that a documentary about a world-renowned chef could make your mouth water isn’t really impressive. But if a film could make you a fan of a country, a people, a cuisine, that’s something more powerful. Julia Patricia Perez’s Finding Gaston introduces the audience to one of Peru’s greatest cultural ambassadors, Gaston Acurio. The man, who appears at length in the film, is a bastion for every pepper, sauce and recipe native to his homeland, and he goes to incredible lengths to fortify the small Latin American nation as a haven for culinary treasures.
Of all the contemporary name-brand directors on the festival circuit today, Olivier Assayas may be one of the most enigmatic. His films usually play with a high degree of clarity, though just as often it […]
Allow me a personal indulgence. One year ago this month, I auditioned in MacPhail School of Music’s concerto competition. It was the first time I’d tried out for anything on piano since high school. I […]
Minneapolis is indeed a cultural hub this weekend, with literary writers from all over the country already in town for the AWP Conference, and now film-makers from all over the world kicking off the 33rd annual Minneapolis-St. Paul International Film Festival.
It’s probably near impossible to see Sebastian Schipper’s Victoria and not be impressed. The entire 140-minute film is captured in one continuous shot by the incredibly athletic camerawork of Sturla Brandth Grøvlen, and never does the movie drag its feet, lose its momentum or devolve into a swirling, jittery mess. Instead, “Victoria” has a gorgeous, liquid quality. At one moment, it’ a carefree romp through nocturnal Berlin, and then it changes, right before your eyes, into a heart-pounding thriller, all gunshots and getaways.
This week is all about the Minneapolis-St. Paul International Film Festival. Things get rolling on Thursday, when the weeks-long festival begins with screenings of a wonderfully titled film, “The 100-Year-Old Man Who Climbed Out the Window and Disappeared,” at the St. Anthony Main Theatre. After those screenings, there’ll be an opening night party at the nearby Aster Café.
April is fast approaching, and that means the Minneapolis-St. Paul International Film Festival needs to be on every Minnesota cinephile’s radar.
A few days ago, the list of features for this year’s Minneapolis-St. Paul International Film Festival dropped. There are more than 170 movies in the lineup, and, as you can imagine, there’s a lot to look through.
Bill Pohlad, known for producing such powerful films as 12 Years a Slave, Tree of Life and Brokeback Mountain, will have a director credit on a film slated to cap off this year’s Minneapolis St. Paul International Film Festival.
Blue Ruin is a great American revenge movie, because it doesn’t play out like most great revenge movies. In it, the target — the villain who must die, the object of the hero’s obsession — is confronted and dealt with before we even have a good grasp on who the hero is, or what’s going on. As such, the focus is on the aftermath: the consequences of killing, of eye-for-an-eye justice. And amid all the bloodshed and dark humor is a message about violence in America, I’m just not sure what it is yet.
Sometimes it takes months and months for movies that play the Minneapolis-St. Paul International Film Festival to show up in general release in the Twin Cities. Even more often, films from the festival roster don’t show up again at all. And then every once in awhile an MSPIFF selection pops into theaters in a matter of days.
Clocking in at under an hour, An Arctic Space Odyssey traces the story of a group of men who worked for a year on a satellite station on an island that could be considered the […]
What makes Ilo Ilo more than just another family drama is the nuance with which writer/director Anthony Chen builds his characters. While each one appears based on a stereotype (the commanding mother, the shy maid, the troublesome son), they also have certain flaws or attributes that make them, as individuals, appear much more human than the usual fare that alights in family dramas, which are so fatally prone to melodrama.
It’s nearly the weekend, and now’s the time to figure out your entertainment plans. Many kids will be on the hunt for eggs, while other folks can run the sweetest race in town. And it’s also your last chance to hit up a film festival.