Basketball. The sport has been around for longer than football, but for whatever reason, there just aren’t anywhere near as many films centered around the sport as there are for football or, especially, baseball. So bear in mind of course that by “ever,” I basically just mean from the last three or four decades.
Check out this week’s best bets from repertory and limited-run screenings!
A colleague of mine noted that David Fincher’s new film Gone Girl completes a trilogy of sorts detailing male-female relationships gone awry (or, perhaps in the case of The Girl with the Dragon Tattoo, relationships that start at “awry”).
Toward the end of The Last Days in Vietnam, a marine who was part of the evacuation of Saigon describes the terrible episode as the Vietnam War “in microcosm.” That is to say: It had the tragic mix of good intentions and poor leadership that led to broken promises and a country’s demise. Yet, filmmaker Rory Kennedy’s vital and moving documentary on the Fall of Saigon isn’t so much about her pointing a finger, as it is about highlighting the pain, panic, heartbreak, and heroism wound up in those dark days in the spring of 1975.
With this week comes the arrival of October, and you know what that means — it’s my favorite time of year. It’s prime horror movie-watching season! I restrained myself somewhat, and limited this week’s best bets selections to include only two horror-related entries.
No plans Tuesday night? Then perhaps you’ll be down to judge some short films in the world’s only global film festival. It’s called Manhattan Short, and it’s happening (locally) at Minneapolis’ St. Anthony Main Theatre.
“Take Me to the River” has a quality many documentaries lack: it gets better as it goes on. At first, director Martin Shore’s love letter to the Memphis music scene feels like it might be one of those making-of documentaries with too much studio footage to be seen outside of fandom. But as its legends of soul and blues sing on screen, a story unfolds that reverberates with incredible vitality. The takeaway? American music wouldn’t be what it is today same without what flowed from the Mississippi Delta.
With autumn comes the start of the season for serious-minded movies, and the Twin Cities Film Fest just announced a slate that includes more than just a few movies that have awards bloggers all hot and bothered.
Today marks the turn of the seasons, and what better way to cap off what almost everyone agrees was one of the lamest summer movie slates since the concept of “summer movie” was first coined than to head to a smaller-scale movie with bigger ideas?
Mea culpa. I know that I’ve been largely absent over the last few weeks. It was never my intention to shirk my duties to highlight some of the best local repertory and limited-release movie options. […]
Love is Strange begins with an easy, unforced reflection of the parallel truism that love is natural. Alfred Molina and John Lithgow play George and Ben, Greenwich Village lovers who, at an advanced age and […]
Tobe Hooper’s ruthless 1974 shocker isn’t just one of the greatest horror movies ever made, it’s also one of the most powerfully terrifying. Not in the way that jumps out at you and gives you those mechanized, cattle-prod starts once every 10 or 15 minutes, but rather in the way that crawls under your skin and turns it jaundiced and greasy with fear.
“God has to be busy with everyone else” — Those are the heartbreaking words said by one of the three boys whose lives filmmakers Tracy Droz Tragos and Andrew Droz Palermo follow in Rich Hill, a sobering yet vividly human documentary about poverty in small-town, Middle America. From the get-go, it’s apparent that at least one of these boys has been called “white trash,” but the film never treats them with scorn. Instead, cinematographer Droz Palermo captures their lives with incredible grace, so much so that it brings to mind the effervescent films of Terrence Malick. But as impressive as the camera work can be, the details in Rich Hill sting.
How did the old song go? “The cat came back the very next day.” After spending a year at the Great Minnesota Get-Together, the venerable Internet Cat Video Festival is returning to its initial digs on the hill just outside of the Walker Art Center.
With preseason games in full effect, we thought it would be worth taking a look at some of the best the genre has to offer and were shocked (shocked!) to find so many candidates out there. We whittled from a list of roughly two dozen legitimate contenders the following 10.