It’s the week of Valentine’s, but I’m not sure if love is in this frigid, arctic air. While there’s certainly no lack of romantic films slated to play in the Twin Cities, there’s no real surplus of them either. And that’s cool with me.
In The Great Beauty, director Paolo Sorrentino channels a Rome as classical and surreal as anything made by the great Golden Age master Federico Fellini. Within the first 15 minutes of Sorrentino’s latest, hints of the Italian titan’s La Dolce Vita and 8 1/2 flash before one’s memory, but this time in pulsing electric, rapturous colors.